Tag:movies

The Radical Feminism of Studio Ghibli’s Girls

For decades, viewers searching for strong female characters in animation have found an unexpected answer not in Hollywood franchises but in the quiet, wind-swept...

Bollywood’s Sex Workers: Pained and Powerful

In Indian popular imagination, few figures are as overburdened with symbolism as the sex worker—and no machine has shaped that symbolism more powerfully than...

How ‘K-Pop Demon Hunters’ Rewrites Female Power

In an era where K-pop girl groups are dissected for every gesture of empowerment or conformity, K-Pop Demon Hunters lands as a vivid pop...

“We Are Unstoppable”: Janhvi’s Equality Speech

When Janhvi Kapoor stepped up to the podium at the We The Women Asia event in Mumbai, she laid down a challenge cloaked in...

Love Advice From Bollywood’s King of Romance

When Shah Rukh Khan speaks about love, people listen — not just because he’s Bollywood’s “King of Romance,” but because his words carry an authenticity...

The Age of the Intimacy Whisperers

In the Lion-City of polite propriety—where even a tofu dish can cause a stir—the idea of a movie “love scene” becoming a production stress-point...

Angry Young Men or Sensitive Heroes?

For decades in Indian mainstream cinema the ideal male hero was the “angry young man” (गुस्सैल जवान – gussaaila jawaan), the protector-saviour who delivers...
Auntie Spices It Out
Commentary

Asian Men’s Top Fantasy? The Woman Next Door

January 25, 2026

I’ve lost count of how many times men—usually smug, usually underwhelming—have told me that men are “visual creatures” and therefore need porn stars with impossible bodies and Olympic flexibility. Darling, if that were true, Asia would look very different after dark. What Asian men actually click on, linger over, and return to again and again is not the spectacular. It’s the plausible. It’s the woman who looks like she could borrow your charger and complain about the aircon. This does not surprise Auntie in the slightest. For decades, Asian societies...
Commentary

When ‘Dangdut’ Dancers Cross Religious Red Lines

January 25, 2026

Spicy Auntie has seen this movie before, and honestly, I could recite the dialogue in my sleep. Sexy dangdut singer appears. Hips move. Men cheer. Phones come out. Someone yells “haram”. Someone else yells “culture”. Cue apologies, moral outrage, calls for punishment, and a sudden national panic about the collapse of civilisation — all triggered by a woman doing her job on a stage. What amused me this time is the performance of shock. As if Indonesia woke up yesterday and discovered that dangdut involves bodies. As if villagers have...
Commentary

The Radical Feminism of Studio Ghibli’s Girls

January 24, 2026

Hollywood? Pixar? Disney? Princesses, princesses, mermaids, sparkly eyelashes and sidekicks who exist mainly to applaud? Pffff. Auntie yawns. Give me the girls and women of Studio Ghibli any day, every day, preferably with wind in their hair, dirt under their nails, and absolutely no interest in being “chosen.” What I love about Ghibli women—those created by the wonderfully stubborn Hayao Miyazaki—is that they don’t perform strength. They live it. They work. They get tired. They get scared. They mess up. They don’t strike power poses or announce themselves as icons....
Commentary

The Seductive, Erotic Power of Old Shanghai Style

January 24, 2026

Spicy Auntie has another embarrassing confession to make. I am weak for Old Shanghai kitsch. Put me in a dim bar with red velvet curtains, a jazz trio pretending it’s 1936, and a hostess in a perfectly tailored cheongsam, and my critical faculties immediately start fighting my pleasure receptors. I know exactly what is being sold to me — and yet, like so many of us, I keep buying the fantasy. Because Old Shanghai nostalgia is erotic in a very specific, very manipulative way. It doesn’t shout sex. It whispers...
Commentary

Rich Women, Young Gigolos, Old Hypocrisy

January 24, 2026

I have several friends in Jakarta—well… acquaintances. Women I meet at dinners, at art openings, at those polite, exhausting lunches where everyone pretends not to notice who arrived with whom. Some of them, discreetly, unapologetically, enjoy the services—sorry, the company—of younger men. And honestly? Good for them. I’m not particularly fond of rich ibu-ibu, in Jakarta, Bogor, or anywhere else in Asia, but that’s not the point. The point is the hypocrisy. The thick, sticky, moralistic hypocrisy. When older men do this—especially powerful, wealthy, “respectable” men—it barely registers. A middle-aged...
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